Writing

New for Wine4Food: Going Out For Tapas in Granada Means Ordering Drinks, Not Food

New for Wine4Food: Going Out For Tapas in Granada Means Ordering Drinks, Not Food

Here’s an excerpt of my piece on Granadino tapas that just came out in Wine4Food. Yes, what you’ve heard is true, at most tapas bars in Granada, tapas come with your drinks. And ordering a drink, lingering over crusts of bread and pools of oil and salty local ham, forces even the most high-speed New Yorker to soak up the moment and treat a meal the way the Spaniards do—as an experience.

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New for Forbes: Why IoT Devices Are Expanding Their Interactivity

New for Forbes: Why IoT Devices Are Expanding Their Interactivity

I’ve been working on this Forbes Tech Council article with Wibbitz CEO Zohar Dayan and the company’s content team for a few months now. With a core focus on expanding what video means to brands and publishers, Wibbitz looks closely at how hardware trends and shifts in the technology industry are building a deeper, more actionable context around everyone’s favorite buzzphrase: pivot to video.

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New for OUT FRONT: Theatrical Mustang Woodzick

New for OUT FRONT: Theatrical Mustang Woodzick

I interviewed multi-hyphenate theatrical powerhouse Woodzick for OUT FRONT Magazine’s January arts and culture issue. Woodzick talked about establishing their identity and founding the Non-Binary Monologues Project, but they also dropped some gems about using our privilege for good, combatting ambassador fatigue, and how allies can do better in their support of trans and non-binary communities.

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New on Wanderthief: Flashlight

New on Wanderthief: Flashlight

Sometimes you have to look deeper into the dark corners, even if it takes a ballsy line of questioning from someone you hardly to know to show you that they’re there in the first place. Now you know. You can’t run away, can you? Better start brushing off the cobwebs and braving the road of all those questions yet unasked. Who questions the questioner?

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New on Wanderthief: Quasi-cold Non-storm

New on Wanderthief: Quasi-cold Non-storm

I recommitted myself to Wanderthieving once a week in order to strengthen my creative muscles. That means some will be better than others, surely, but since the goal arose out of a recent crisis of creativity that caused me to realize all the juice was drying up, I’m OK with that. Let’s call it greasing the gears and see what happens. This week, some feeling trapped in a very grey, albeit not exactly cold, Las Vegas winter.

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New on Wanderthief: Reminders

New on Wanderthief: Reminders

I wrote a short Wanderthief about my experience of the weird turn to winter in this town. I’ll be leaving NYC soon, spending most of the rest of 2018 on the West Coast and abroad, and I’ve got a lot of feelings about it. Feelings? Concerns, questions, nerves. Anxieties. There’s some sun in there too, I promise. Things have been looking a little dark lately and I only know how to be honest about it, but what’s that saying? The darkest hour is just before… that old chestnut.

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New on Wanderthief: To Be Seen

New on Wanderthief: To Be Seen

I met a couple of famous people last night and they kept using my name. They dropped my name in every sentence, casually, naturally, as if we were old friends. If it was nothing more than a strategy they have developed over the years, then it’s a strategy that works. Is that as personal as an interaction can be? A name, an unchosen word to which we attach decades of identity, a marker of who we are that, for most of us, lasts from birth until death without ever changing?

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New for Adorama: Meet a Pro: Visual Storyteller Quetzal Maucci

New for Adorama: Meet a Pro: Visual Storyteller Quetzal Maucci

Quetzal Maucci calls herself a visual storyteller intentionally to separate herself from traditional news media and photojournalists. Documentary photography isn’t always about telling an authentic, profound story, but for Quetzal that’s the art that really matters. She tackles immigration, identity, sexuality, and health in her work, often investigating the questions she faces personally in her own life through broader artistic projects.

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